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Hochschulfeature | Hochschule für Künste Bremen

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Bremen

What will the photography of tomorrow look like?

In our new university feature, we show works by students. This time: students from the Hochschule für Künste Bremen from Andreas Herzau's course.

Our jury, consisting of Ute Behrend, Ruth Stoltenberg, Boris Eldagsen, Alexander Hagmannn (dieMotive) and Wolfgang Zurborn, decided on three student positions:

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We would like to thank 'KULTUR.GEMEINSCHAFTEN – Förderprogramm für digitale Content-Produktion in Kultureinrichtungen' for their support. This funding project is supported by Beauftragte der Bundesregierung für Kultur und Medien, NEUSTART KULTUR and Kulturstiftung der Länder.

DFA press materials:

Hannah Lowitz | Maybe the night is a place

Hannah Lowitz | Maybe the night is a place

'It's a strangely rapturous feeling I experience here. At night. For the camera it is an interplay of light conditions - the celestial bodies, the glow of street lamps and neon lights. Our eye gets used to it, the camera doesn't. Is this feeling reproducible? Are these places reproducible? Or do they have to be found?   At least they exist. But only at night.'

Format:

Photo / Video

Lena-Lotte Agger | Sleeping Beauties

Lena-Lotte Agger | Sleeping Beauties

'The work 'Sleeping Beauties- Dornrösschenschlaf' is a photo-documentary journey through Berlin clubs and venues with the aim of documenting club spaces that could previously only be seen and experienced at night and filled with people in a state of standstill. The idea was born at the beginning of the closure of all cultural venues due to the pandemic. An unprecedented interim state. With the reopening of the clubs, Lena-Lotte Agger's project enters a new phase and documents the places before and after missing, regained events, now with a hygiene concept.'

Format:

Photo / Video

Rukmini Zöpel | New Vision

Rukmini Zöpel | New Vision

'This work 'New Cision' deals with the abstraction of the ordinary. The series was created on the everyday way to the university, where one thinks one already knows every corner by heart. The picture is alienated by the detail, angle and composition to such an extent that it is just legible. Through the structure and the colourfulness, the series takes on a very graphic character, where one can certainly draw parallels to abstract painting. Through active, focused observation, it was possible to see something new in an everyday environment and thus to develop a new way of seeing.'

Format:

Photo / Video

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