Statement

For me, photography is first and foremost a light drawing, where I guide the pen. I refer here to the beginnings of photography, the origin of the medium, which was primarily a manual printing process, the result of whose physically existed. The craft part is important to me, making each of my works a unique print. In the reality I stage my images, in the darkroom I transport the motifs into another world. I develop them by hand on wood, steel or concrete, hatch them, work them with asphalt or "skin" them. I enter into a dialogue with painting and sculpture and create creatures like a cow with four eyes that could have sprung from Greek mythology. It is the indefinable that runs like a thread through my work.