About

I'm a visual artist interested in the oral tale as a way to explore new narratives offside the path. I was born in 1993 in a small medieval village in the middle of Germany, where I spent most of my time in the forest and books and fell in love with fairy tales, folklore and storytelling. I completed my master's degree in Photography at the Royal College of Art in London in 2020. Since 2021 I've been living and working in Nürnberg.

Statement

Fairy tales have centuries-old history and can be found in all cultures. Although today often only a few versions of a fairy-tale type is popular, there are actually usually hundreds of variations. Through the process of storytelling and re-telling, they continue to develop, consolidate and absorb cultural and political developments. My practice builds on this aspect of retelling, using the fluid character of the fairy tale to develop new variations and narrative structures. In collaboration with my protagonists, a personal narrative is created. The story thus becomes a transitional object: An inner world is projected into the forest. Through this outward-everting, an experiential and shared space is made possible. Here the protagonist can meet and experience themselves and each other through the act of playing in the double sense of the word: as the childlike engagement in a game as well as the acting a part.

Education

  • 2020-2022 | “Fine Art Photography”, Royal College of Art (UK)
  • 2018-2020 | “Fotografie”, Hochschule München (DE)

Selected Awards

  • 2022 | Sponsorship „Junge Kunst und neue Wege“, Nürnberg (DE)
  • 2021 | “Ashurst Art Prize Shortlist”, London (UK)
  • 2020 | “Ginnel Festival Winner”, Ipswich (UK)
  • 2017 | “Adobe Awards Shortlist”
  • 2017 | “German Photobook Prize” in Silver in the category Student (DE)

Selected Exhibitions/Publications

  • Ausstellungen / Exhibitions
  • 2022 | Jungbrunnen, Selb (DE)
  • 2021, 2020 | Palazzo Rasponi 2, Ravenna, (IT)
  • 2021 | Glogauair, Berlin (DE)
  • 2021 | Galerie Huit, Arles (FR)
  • 2021 | Ashurst, London (UK)
  • 2021 | Copenhagen Fotofestival, Copenhagen (DK)
  • 2021 | Millpiani, Rome (IT)
  • 2020 | Sharjah Art Foundation, Sharjah (AE)
  • 2020 | Ginnel Collective, Ipswich (UK)
  • 2020 | Fitzrovia Chapel, London (UK)
  • 2020 | Void Collective, London (UK)
  • 2019 | Other identity, Genova (IT)
  • 2018 | Aeon gallery, Richmond (US)
  • 2018 | Cosmos Books, Arles (FR)
  • Publikationen / Publications
  • 2021 | You are not Alone Issue 1 (UK)
  • 2020 | British Journal of Photography (UK)
  • 2020 | Vogue US (US)
  • 2020, 2018 | Süddeutsche Zeitung (DE)
  • 2020 | Royal Photographic Society (UK)
  • 2020 | Southwest Collective (UK)
  • 2020 | Pupilsphere (UK)
  • 2020 | Photograd (UK)
  • 2020 |Curated by girls (FR)
  • 2020 | Art Connect (DE)
  • 2017 | kwerfeldein (DE)

Personal Website

http://www.nadjaellinger.de

Works

Nadja Ellinger | Path of Pins (2020 - ongoing)

Nadja Ellinger | Path of Pins (2020 - ongoing)

Path of Pins is a visual retelling of Little Red Riding Hood that explores coming of age and the fluid representation of femininity in folklore. In one of the earliest oral versions of the fairy tale, the wolf asks the unnamed heroine, "What path will you take?" to which she chooses the Path of Pins, the reckless and ephemeral path. Refusing to follow the prescribed path, the heroine chooses the myriad of possibilities and frees herself from the endless attempts to squeeze herself into the corset of ideology that so many authors have tried to impose on her. In search of what lies beyond, she takes us deep into the forest. The tale resembles the girl, it develops step by step, growing with each cycle, like a living being.

Format:

Photo / Video

Nadja Ellinger | But a mermaid has no tears (2017-2018)

Nadja Ellinger | But a mermaid has no tears (2017-2018)

The photo book "But a mermaid has no tears" is a retelling of "The little mermaid" by Hans Christian Andersen that explores identity and the search for meaning. It draws from the centuries-old oral tradition of fairy tales, allowing for constant reinvention. The little mermaid in this artwork creates her own identity, exploring different characters and genders to understand herself. It gives agency and authorship to the female character. The urge to possess a soul, present in the original version, becomes a symbol of the human quest for identity and meaning.

Format:

Photo / Video

Nadja Ellinger | On Fragility (2019)

Nadja Ellinger | On Fragility (2019)

“Über die Zerbrechlichkeit” (“About fragility”) was a photographic project in cooperation with the Süddeutsche Zeitung, with the aim to portray young artists in Munich. Before the shoot, I interviewed each person, delving into their personal experiences, making the process intense and personal. These portraits not only explore the personalities of these artists but also embrace their struggles, fears, and weaknesses as integral parts of their personalities, enabling reflection, dialog and growth, avoiding the typical gaze on young and creative people praising their success and fame.

Format:

Photo / Video