About

We met in 2013 during our Master studies at the Glasgow School of Art (UK). Carolin is interested in how experimental practices are used in science and photography to investigate the properties of light. Dico is interested in how the perception of space can be explored through art installations. In 2015, we moved to Rotterdam and began to combine these interests in a collaborative project with analogue photography called 'under the same sun'.

Statement

How can we record light through material? What happens when we think of a building as a ‘camera’? How does sunlight affect the way we perceive and understand spatial relations, dimensions of time, place, proximity and absence? These are the questions that drive our collaborative project ‘under the same sun’. We are working with the early photographic blueprint process. Non-toxic and with long exposure times, this process allows us to capture light on a 1:1 scale with multiple and long exposures of hours to weeks. The blueprint process is an accessible medium that we use to create artworks in which collaborative workshops – or ‘light recording’ sessions – have become an integral part. In these workshops we share our working methods, and we invite people to join us in capturing sunlight. We often work in a series of ‘light recordings’, using scale models of buildings and the actual location as our analogue recording devices, creating unique photograms of light. Light and shadow are translated into blue and white formations of a universal nature. At the same time, we find that each location has its own conditions, which influences the making. ‘under the same sun’ describes the obvious and the immediate, that what all locations have in common is the same sun that shines on them every day. Working with sunlight over days and weeks makes the movement of the earth around the sun visible and tangible. Visible as photographic material and tangible as a physical experience in the making. The record and recording both share the experience of space over time, registered in and by light.

Education

  • Carolin Lange
  • 2021–2025 | „PHD candidate“. Photographic History Research Centre. De Montfort University Leicester UK
  • 2013–2014 | „Master of Letters. Fine Art Practice/ painting“, Glasgow School of Art. Glasgow UK
  • 2011 | „Erstes Staatsexamen“, Klasse von Professor Erwin Gross. Staatliche Akademie der Bildenden Künste, Karlsruhe DE
  • Dico Kruijsse
  • 2013–2014 | „Master of Letters. Fine Art Practice/sculpture“, Glasgow School of Art. Glasgow UK
  • 2005–2009 | „Fine Art, Art in Public Space“, Willem de Kooning Academy Rotterdam NL

Institution (Work Experience)

  • Carolin Lange
  • 2015–2021 | Wissenschaftliche Mitarbeiterin. Lehrstuhl für Künstlerische Gestaltung. RWTH Aachen University DE

Selected Awards

  • 2021 | „Droom en Daad“ Kunstförderung Rotterdam NL
  • 2019 | „PPR“ Forschungsförderung, Centrum Beeldende Kunst Rotterdam NL
  • 2018 | „Onderzoek & Ontwikkeling“ Forschungsförderung, Centrum Beeldende Kunst Rotterdam NL
  • 2017 | 2. Preis. Kunst am Bau Wettbewerb. Humboldt Forum Berlin DE

Selected Exhibitions/Publications

  • 2023 | Biennale für Aktuelle Fotografie / BUGA23, Mannheim DE
  • 2023 | TENT, Rotterdam NL
  • 2022 | Goethe Instituut, Rotterdam NL
  • 2021 | Sanatorium Zonnestraal, Hilversum NL
  • 2019 | Het Nieuwe Instituut, Rotterdam NL
  • 2019 | Neue Denkerei, Kassel DE
  • 2018 | Lecq, Rotterdam NL
  • 2018 | Humboldt Forum Berlin, Humbold-Box, DE

Personal Website

http://www.utss.nl

Works

under the same sun: Reallabor für Erneuerbare Fotografie (2023)

under the same sun: Reallabor für Erneuerbare Fotografie (2023)

The work is a large-scale art installation of more than 120 cyanotypes in the entrance area of BUGA 23. The installation was developed on site in forest areas in and around Mannheim over a period of two months. The departure point for the artistic work is the experimental history of the cyanotype - the study of light - and its application as a blueprint in architecture. Experiments with techniques and exposure times make temporal and spatial relationships of light and space visible and attempt to capture the experience of a place as a monochrome blue negative. The work was created as part of 'Reallabor für erneuerbare Fotografie', a collaboration of the Biennale für aktuelle Fotografie and the Kalamari Klub - with the curator duo Christoph Wieland and Nicolas Reinhart - and BUGA 23. Photo credits: Lys. Y. Seng, Carolin Lange and Dico Kruijsse.

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Photo / Video

under the same sun: parksluizen kiosk, a case study in scale 1:1 (2018)

under the same sun: parksluizen kiosk, a case study in scale 1:1 (2018)

With this work we explored the concept of thinking of a building as a 'camera'. The work was realised in a former kiosk building in the Parksluizen complex in Rotterdam, designed by Bart van der Lecq. The kiosk building is now used as a project space called Galerie Lecq. For our exhibition, we took the opportunity to create light recordings via the cyanotype process with the dimensions of the entire space in a scale of 1 : 1. The kiosk is orientated towards the south, so we had sunshine all day and plenty of time to capture how light travels through the space. We worked with multiple and long exposures, turning the kiosk into a working camera. For each exhibition, we rearranged the cyanotypes in a different order to think through the temporal and spatial relations they once recorded. With special thanks to curator and artist Marijke Appelman. Photo credits exhibition views: Nicolas Wefers and Jaqueline Fuijkscho

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Photo / Video

under the same sun: a collective blueprint (2019)

under the same sun: a collective blueprint (2019)

With this work we investigated how sunlight can be captured in space and time through a series of public workshops or 'light recording sessions'. We opened and shared our artistic practice by inviting participants to capture light in the building of Het Nieuwe Instituut. The outcome was a collective blueprint - a collection of photograms of light and shadow situations from different parts of the building. During the workshops, the building was transformed into a camera, but also into an open workspace where the blueprints were prepared, developed, fixed, dried, documented and exhibited. The collective blueprint in the exhibition space grew with each workshop over the duration of three months. At the end of the exhibition, each participant took their individual blueprint home and the collective work unraveled. We thank all participants: Marijke Appelman, Martijn Konings, Zhou Junsheng, Liu Chao-tze, Annick van Santen, Paul Peeters, Marie-Antoinette van der Gaag, Alexandra Shilova, Eelco Roelsma, Juul Barnard, Alexander Pachkov, Bogdan Grushin, Lea Alapini, Ariane Trümper, Jean van Wijk, Sina Hensel, Ellen Smit, Lucy Draai, Marco Apereti, David Wills, Marilotte van Lent. Photo credit: Zhou Junsheng, Carolin Lange und Dico Kruijsse

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Photo / Video

under the same sun: cutting someone else’s diamonds (2020)

under the same sun: cutting someone else’s diamonds (2020)

For this work, we had dived into the archive looking at the original blueprints of the former sanatorium 'Zonnestraal' in Hilversum (1928; NL) We created new models based on the information in the plans and used them to create new blueprints that explore how sunlight and the building complex work together. The outcome of the collaboration with the archive resulted in a sculptural interpretation of simple outdoor shelters, using the new blueprints and the scale of one single person. A scale that is present in the overall design of the sanatorium. A scale of isolation. The presentation of the work outside of the building also refers to the specific location of the building, a place to emerge oneself in the healing environment of the Loosdrechtse Bos. With special thanks to Hetty Berens and Ellen Smith, Het Nieuwe Instituut Rotterdam, Stichting Zonnestraal Hilversum and Jaqueline van Oostveen. This project was funded by CBK Rotterdam.

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Photo / Video